Max Glascott (The Abominable Twitch) has been writing music in the all too vast umbrella genre of Electronic Music for roughly ten years. He began somewhere between the ages of 12 and 13, cutting up Chemical Brothers loops and classic breakbeats, warping them into deranged hip hop and some kind of colorful regurgitation of the seemingly late Digital Hardcore genre. By 1999 he joined forces with a small Digital Hardcore label, Irk Media, based in the western suburbs of Chicago. The label lasted approximately 2 years before the artists went their separate ways... It certainly proved to be a perfect introduction to the burgeoning digital music scene that fed itself almost solely from internet exposure. After the experience in the elusive digital hardcore scene, the network built over the internet allowed for all manner of transcontinental collaborations and cross promotions. He began releasing music through Slum Communications, a national electronic collective based in all corners of the US. Shortly thereafter, he began the ever evolving Timelapse series, in which he releases a chronologically ordered library of music dating from June of 2003 into the present. The series is released in 10 track volumes, and as of 2007 holds steady at Volume 9. The music varies drastically as it encapsulates everything from drunken experiemnts to entirely through-composed "masterworks." He currently resides on Chicago's west side with a bunch of crazy classical musicians, writing music all day and all night just because "it feels good."

He likes turntables, computers, spicy asian food, and hanging drywall.
other aliases include: DJ Dickie Starks, Prefuse 74, Space Lazer Sword, XenoChrist (circa 1998)