Argentinian composer Florencio Asenjo composes orchestral works using his "maximalism" technique.

When Asenjo began his musical life, he found overwhelming the monumental amount of repetition that characterized much of Western music. At the same time, he noted that in symphonies, concertos, etc., an initial strong theme was usually followed by a softer one. In this cd, Asenjo focuses on the creation of entirely new themes connected aesthetically to the previous ones, a development of substance rather than form.
Asenjo labels this approach “maximalism,” the objective of which is to achieve a high density of content in constant change. Each composition on this cd uses “maximalism” as a compositional tool, which provides the foundation for the composition's structural and melodic development.