It is not enough to know to the tango, it is necessary to sing it with feeling, with style, with this emotion of the things that are not learned in the school but in the life. For tanguear indeed it is necessary to have in the blood something of this poetry(poem) arrabalera, something of this passion, of this abandon of the senses. Often it(he,she) is fashionable, he(she) it sings anyone for occurrence, for giving him(you,them) the luxury of bathing in deep waters. It is not a tango. Margie Bermejo has the voice, the feeling, the emotion, the style that is needed in order that the tango is tango, musical melodrama, melody of our time.Margie drinks in the roots of the tango to give him(her) the sonority of our days. With Dmitri Dudin's complicity and with this understanding that only there have the professionals, the friends and the real artists in the scene(stage), Margie neither can nor wants to sing tangos as his(her,your) mother; but as someone who enriches the received inheritance(heredity).
Fernando de Ita - Alejandro Juárez Carrejo