FlyKKiller reveal the combined results of their experiments on their debut album release. The FlyKKiller story is that the songs contained within this album are recorded by an extra terrestrial called V who created this album (whilst in captivity in the FlyKKiller Institute in Poland) as a vessel in which to pass on her peaceful communications to us earthlings. However the otherworldly recordings have been seized from her by her captors at The FlyKKiller Institute, and sold to fund their scientific research. Additional information is being presented via physical formats, downloadable files and live demonstrations. The album chronicles her tale of discovery, capture and salvation, through electronically simulated musical transmissions. The genetically mutated sound comes out as sharp and cold as The Knife and as feral as Siouxsie Sioux and the Creatures. Micro beats punctuate song lines like spiked gothic turrets, and with a pummelling band behind her our front woman whispers and wails enchanting songs like threatening spells, each song a disturbed vignette into a David Lynch-like story, whilst the underlying beats stutter through minimal hip hop and mechanical breaks with electro finesse, FlyKKiller’s 96 eyes stay firmly fixed on all musical and artistic movements. Behind the FlyKKiller conspiracy are; Pati Yang who is one of Poland's most acclaimed electronic artists who released a critically revered album at 18 years old; an electronic balladeer whose sirenesque tones and joy of experimentation in music and the arts have earned her artistic acclaim as well as stadium tour support for Depeche Mode. Stephen Hilton is the musical partner of David Holmes, co founder of The Free Association, and the beats behind many soundtracks for films such as two James Bond movies , Hot Fuzz, Moulin Rouge, Ocean’s 11 ,12 13, and he has produced albums with the likes of Pulp, Depeche Mode and Trevor Horn. Stephen also co-wrote with Siouxsie Sioux on her new album. If this all sounds like an elaborate sci-fi yarn, then you are urged to çome watch the V creature presenting her creations to the assembled terrestrial media in the nation's capital. The FlyKKiller Institute has been offered the use of the Polish Institute in London to present their discovery in a live context. These shows follow appearances at V festival. “Razor sharp machete beats from London / Warsaw /El Salvador, these electro terrorists have been exploding the NME’s head all week” NME. “It’s going to be massive!” Annie Nightingale BBC Radio One. “It’s a beast of a track! like Massive Attack before the Funk dissipated” 5/5 Mixmag. “Crunchy glass smashing beats and liquid percussion that could accomadate a grimy spitter as easily as their breathy lady vocalist Pati Yang”. Hip Hop Connection. “A spaced out, menacing melange of super-freak surrealism that’s deadlier than a fly-swatter. Buzzin” The Fly.