Organic electronica; Seismic Didjeridu, Arnhem Land vocals, percussion.

“Hypnotic, trancy beats that rise and fall with knowing intensity are complemented by pulsing rhythms and beautifully controlled didg textures. The album is deeply infused with low bass and dub sounds, but it’s the unique indigenous instruments and excerpts of vocalizing that imbue Xenophon with such unusual flavour. Understated brilliance.****” Lauren Zoric. ‘Rolling Stone’. September 1998

“Didjeridu maestro Charlie McMahon surprises the shit out of everyone with an album that is one of the most accomplished electronica records that this land has ever produced. Full of noises from Charlie’s mouth, the songs structure themselves around ideas, motifs and moods: similar to Massive Attack, gusGus or even Tortoise in that regard. This isn’t Yothu Yindi any more, this is worlds ahead. 9/10”
Geoff Towner. ‘Revolver’. 23 July 1998

“Presents great trance-like didgeridoo playing from one of the great masters of the instrument. He can do things with this simple instrument that others can only dream of doing, with a great technique, solid background in Aboriginal culture (though not aboriginal himself), combined with his international travels and interest in other musics. Charlie pushes the didgeridoo music to places it’s never been to before: traditional sounds of the bush going to outer-space, then back down to earth – but landing in a dance club. Charlie has done things with the didje were thought impossible.” C Donovan, Ed. Worlddiscoveries USA Mar.2005