Born in London, Cameron was raised on the Caribbean island of Dominica. Like most of his peers, Cameron's early musical influences were Bob Marley, Burning Spear, Jimmy Cliff, and a host of artists from that era of popular Jamaican music, oh, and Stevie Wonder.

At sixteen he taught himself to play the guitar, and it was within the reggae genre that he first established himself, working with Jamaican artists including Clint Eastwood & General Saint, Barrington, Levy, Dennis Brown and numerous others. Then came the slow discovery of George Benson and Charlie Christian, and through them, Wes Montgomery, Miles Davis and Charlie Parker.

His own musical taste direction veered towards jazz, and his taste and talent brought him to London where he became a regular on the Calypso, reggae, and jazz circuit.

In 1988, renowned British saxophonist Courtney Pine invited him to join his band and since then he has become an integral part of the group both as a recording and live artist.

Alongside Courtney's band, in 1994 Cameron formed 'Creole', a multi-cultural melange of musicians from Africa, Haiti, Cuba and the Caribbean, enjoying wide critical acclaim for their performances at the Glastonbury and Womad Festivals.

In 1997, Cameron released the first of his four solo albums, Friday Night, to wide critical acclaim. In 2003 he also released The Other Side of Notting Hill, a body of work which was to help cement his reputation as a guitarist/composer par excellence.

His most recent release, Guitar Player, sees him pairing with Swedish organist Anders Olinder for some serious hip seventies-type grooves...