In 1978, Brian Eno released Music for Airports, the precursor for the broad spectrum of music that is today called ambient, a term Eno himself invented. In 1998, Bang on a Can All-Stars created their own version of the work with live musicians, staying close to the source by sharing the project as it developed with Eno himself. Thirty years after Music for Airports changed the face of music, Cantaloupe Music will release a pristine live recording of the piece as a digital exclusive via the Bang on a Can Store, eMusic, iTunes, Amazon, and various other digital music vendors. It will be the only Bang on a Can recording of the work available via digital download.

Classic Live Version of Eno’s Pioneering Ambient Work Released as Digital-Only Exclusive

THIRTY YEARS AGO, Brian Eno put out Music for Airports, his first "ambient" album. It was the precursor for the broad spectrum of music that is today called ambient, a term Eno himself invented. It was a four-part piece for synthesizer devoid of all but the most basic aspects of song, challenging listeners to re-imagine what music might be.

TWENTY YEARS LATER, Bang on a Can All-Stars created their own version of the work with live musicians, all the while staying close to the source by sharing the project as it developed with Brian Eno. It was released on record in 1998 to wide acclaim.

THIRTY YEARS LATER, Cantaloupe Music will release a pristine live recording of Music for Airports as a digital exclusive via the Bang on a Can Store, eMusic, iTunes, Amazon, and various other digital music vendors. It will be the only Bang on a Can recording of the work available via digital download. (A limited edition CD will be available exclusively to Cantaloupe Club members.) To this day, the group frequently perform the classic work live, most recently, in the middle of the night at this past year's Bang on a Can Marathon in New York City. The Village Voice was there for the performance along with hundreds of fans and had this to say:

"It was beautiful, and best enjoyed while lying flat on your back and staring straight up, through the palm trees and the sunroof to the deep night outside, with the neighboring, towering buildings overhead appearing to curve inward around you as breathy keyboards slowly gave way to meandering clarinet."

In the recording, the overarching calm of the piece is enhanced with touches of instrumentation behind and around its central six-note piano phrase. In the two sequences that follow the piano phrase, a choir of voices fades in and out against the sparest of sonic landscapes.